I realized that mistakes made on film remain there, waiting for you.
A unlike digital files which are often quickly deleted. That’s why I went looking in my archive, of my first wrong shots.
The photographic error as an artistic practice, fautographie, seems to go back to Man Ray, is therefore a practice as old as photography itself. Cancellations, bankruptcies, good or bad surprises have outlined its history, fertilized avant-gardes,
inspired important thoughts, theories and works.
This project was born out of an interest in the way people negotiate and trade collide with the error, in a society like the current one, more and more inclined to automation. where the error is not allowed.
The error realigns itself within these geometries exactly as when we talk about them we become aware and incorporate it into our lives.